Sometimes You Have to Ride...part 1

A new painting I'm working on, maybe called: Sometimes you have to ride.

It's from a dream I had.

I've been wanting to work smaller, but the painting ended up being 4 feet long.

Wide Open Show at BWAC

I was selected to be in the juried show at BWAC which opens on March 12, 2011 and runs every weekend till March 27th.
It's a big honor and I'm submitting two other pieces to the show.
http://www.bwac.org/future_exhibition.html

Weighing Souls: work in progress

Just adding the final details to Weighing souls. Heard about Uncle Miley this morning. So I added him on the lower right, hiding behind the column.

Too many Angels

After almost a whole year, I finally finished Too Many Angels. Having taken so long and kind of lost my way with it, I changed the color schemes several times. I finally settled on this palette.
I would have liked to have called it Poking Angels, in honor of my new interest in Facebook (I still don't know what poking is) but I'm sticking to my first choice for title.
A sad song by the same name, sung by Jackson Browne:
Too Many Angels

Il Melone: the Italian Connection

Amazing story to tell you all: about a month ago, a guy named Gianni Cagnoni, from Rovigo, Italy, contacted me. He and his lovely wife, Donatella, run a gallery there, Il Melone
http://www.galleriailmelone.com/
He is interested in my work, not sure how it will be received. So he wants some work on commission. No problema!!! Except, due to shipping costs, he asks that I send the work, unstretched. So here, Feeding the Beast, is my first work that COULD be sent unstretched...even though I actually painted it by stretching it first. It's a smallish piece, 10 inches by 20 inches.
The key to all this is my borders. I made the border so that if he stretches on a slightly bigger stretcher, then the red will show. Otherwise, I was aiming just for the goldish colored border. What is loss...is my side borders. Oh well, Can't have everything. There will always be Rovigo!
Wait, wait, I didn't tell you about Tony, who has a blog right here on blogspot, all about Brooklyn. OK, that will have to wait to next time.

Freefall- retouched

Thanks to a comment by Mai-Liis, I decided to redo this painting. I wanted stronger color. Perhaps it was the heat wave we are having in NYC, but I picked hot colors for this newer version of Freefall

FreeFall-finished

Wow, I cannot believe I haven't written since April. BAD BAD ME. But a lot has been going on, getting ready for the BWAC Pier show. Two sisters leaving for the Camino, Feeling sorry for myself (that takes up a lot of time).
Here is FreeFall. I hope the color is not too off; it was a spur of the moment photo.
I find that if I work TOO slowly on a piece, I lose momentum. Had to push myself to the finish line and for awhile I was really un-nerved by the colors. But now, I like them...I REALLY like them.
If you want to interpret it as related to the real estate problems going on right now, be my guest.

FreeFall-middle phase

It took a lot of repainting to get FreeFall where I liked it...or at least could stand it. Part of the evolution of this piece was my going to see an exhibit of Takashi Murakami at the Brooklyn museum
OK, I gather it's not to everyone's taste...NO, they hate it. But I loved it and the whole Superflat world. It inspired me to think more about my coloring and this is the resulting current permutation of FreeFall.
Thanks Warren for providing the title.

Harpy Complete

Harpy is all done. Here she is.
And I gessoed over the elaborate border painting I was going to do. I wasn't enjoying it at all and didn't like the images I had added. So I started over and now I'm having fun. Working title: Subprime......something or other.

Guardian Angel

Taking a break from my painting, I made this pen and ink drawing. God it was fun to do. Can't wait to do more. I used Stonehenge Rising paper.

AnotherTry at Digital Angel

Ok, this time I switched to RGB or whatever, colors. OKAY! Look at the difference. Here's something even weirder that I discoverd. Click on the first digital angel, the one with the garish colors and it comes out normal What a quandry!

Digital Angel

Today I felt crummy. Either the common cold or West Nile fever, one or the other. So, rather than work on the new painting, I decided to see what I could do with Photoshop. Still needing to play with the colors more. but here's my first effort.
OK, this is too too weird. This image looks NOTHING like what I did and what I see on my computer screen. The colors are not just off, they are completely different. UGH, a photoshop mess.

Tired Angel: Finito

I feel very happy with Tired Angel. It took so long to complete and yet it's not a drag at all in the end. So I wasn't holding it up because of a vague dissatisfaction, like sometimes happens. I really do have to take better pictures.

Here's my sketch for a new piece, Animal Abuse. I haven't decided on the size. Usually I like to jam a lot of stuff into as small a space as I can paint, but this is kind of minimalist...for ME, and I might just go for it: do it as a 30X40. I have to add that I have a LOT of 30X40 canvases.

Tired Angel, almost finished

This is such a small painting, 18x36 but for some reason it's taking me so long to finish. Maybe I'm tired.

Return of Tired Angel

After a long wait, I'm back. Lots of apocalyptic but non-art related stuff going on here. Anyway, I'm working on Tired angel. I really want to add eyeballs.

Although most of you don't know her, here's Grace at her wedding. It was so much fun.

Armadillo wearing a hat

More photos from the Museum of Natural History. Here we have a prehistoric armadillo, or relative of armadillo, wearing a little bone hat. Why did it evolve this little bone hat you ask? Maybe it lived in a place where rocks fell on it's head a lot.

And my inked in drawing for Tired Angel. I made the mistake of using a red watercolor pencil to draw the image. This red color is very intense and smears a lot so I'll have to cover over the red with white gesso or it will smear into every damn color I try to paint over it. Live and learn.

Tired angels and giant sloths

Here's the beginning of my new painting, Tired Angel. Just a drawing on canvas so far but we shall see how it develops.
In the meantime, I've been reading a book called The World Without Us, by Alan Weisman. This is a pretty depressing, yet compelling story of what we have done to the earth and how long it will take, if ever, to recover or simply 'Digest' the mess we have made. It's keeping me up at nights. So one day last week I went to the Museum of Natural History to see all the giant mammals that are now extinct in North America. I was sorry to discover that the museum has 'modernized', meaning it plays to the lowest common denominator (but best paying customer): Kids.
The large, dull Victorian style hall that was crammed with skeltons of extinct mammals is gone, replaced with a whole floor that leads from dinosaurs to those mammals. Lots of interactive stuff but not enough actual animals! OK, I confess, I hadn't visited that old room with all the cases in maybe 20 years. Still, when I actually Wanted to visit it, it was gone. The new approach is interesting but controlling. The museum is pushing the information it wants you to have. But what if you have other questions?
ANYway, I did find the giant sloths. Here's one. They were maybe/probably wiped out by man arriving in the new world. They must have been quite tastyl

Special Delivery: final version

Here's the final version of Special Delivery. It's my favorite painting in this style...so far.
I spent one evening taking pictures of all the apocalypse paintings but I must say I'm a bit frustrated with the results. Is it my camera or me? Sections were out of focus and my placement of the lights was definately off: there were spots in the dark and spots with glare. YUK. Another thing to learn.

Franks and other deliveries

I wish I had taken a picture of the ugly phase. I guess I was painting too fast and I missed it. That manganese blue is hard to handle. It was so over powering. So I toned it down with some acra crimson to create a more purple color. I did use the managanese for the green. It's definately a blue-ish green but I'm working with it. The painting is all laid in except for the fun detailing and inking.

Here's another NY picture. The classic frankfurter vendor outside of MOMA. I wonder if the taxi's will really go on strike today. The whole thing mystifies me. Perhaps it has something to do with the Apocalypse?

More of everything

Here's a close up of some of the Serra wall that I saw last week at MOMA. Need I say that the texture and color are beautiful?



Here I've added the dark, or one of the darks. I'm using Manganese blue for the first time. I've mixed it with Napthol Red light to get this color. It will be interesting to see how it looks when I lighten it up in it's pure form